Four on the Floor

Paintings and sculptures fill the space with raw energy. Zach Hill's works layer thick oils over found objects like rusted metal and bone fragments, pulling apart industrial decay against organic forms. Kim Miller counters with precise ink drawings on vellum that trace fault lines in rock and skin, where geological splits mirror human scars. Their pieces rub machine precision against bodily rupture. Hill and Miller chase chaos through obsessive detail and unlikely hybrids.